I sustained the feeling reading all of Charles Simic's notebook The Monster Loves His Labyrinth, in snippets the first time I heard Nico's "These Days," and, most recently, viewing Dries Van Noten's Fall 2013 collection.
Last season, my love for his work was aspirational. His creations were articulations of dreams I had yet to have. Yes of course florals and plaid work together! Why not wear a kimono with a tea-length skirt? White sunglasses and mussed hair: I'm there.
This seasons I--by no means uninspired by the man's past work--found myself ingesting DVN's collection while wearing a coordinating outfit.
Slacks under cocktail dresses? I've been doing that all season! (I hate black tights, by the way.)
Tons of textured volume? I just so happen to have purchased a vintage Parisian brown lambswool skirt two weeks ago!
Baggy sweaters and long skirts? Pfff.
Drop-waists, head-to-toe prints, oxfords, and socks with sandals? So on it.
This collection, besides being one easy to mock, is interesting. It's fresh and cosmopolitan. I'm inspired to throw a pair of patterned pants beneath a 1940s black drop-waist dress I've had since Wilmington, when I purchased it on credit at a vintage store where I worked. Small tangent: You never know what you will discover while vintage shopping, and so often your explorations lead you to beautiful craftsmanship, these crepe silk creations, you never knew existed. What better way to clad oneself than in mystery and surprise.
Model images courtesy of Elle.comAll collages the work of Francesca Soroka